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counterpoint

J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)

BSG

1:03	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
Soprano		12	0	2	5	100%
Tenor		13	0	3	5	100%

Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version

penne vodka

4:41	Est. Play Time
94	Measures
	2,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
Violins I		29	8	8	5	81%
Bassoons		29	17	9	4	75%
Violoncellos		20	0	6	6	72%
Oboes		21	18	6	6	68%
Clarinets in B♭		24	23	7	6	63%
Contrabasses		20	0	6	6	60%
Flutes		28	25	9	6	58%
Horns in F		17	16	4	7	33%
		19	17	5	7	48%
Timpani		3	0	0	5	24%
Trumpets in B♭		15	13	2	3	21%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

J. S. Bach: Study material for BWV 78.1 (edited by BSG)

BSG

1:48	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".

Threespot@aol.com

4:10	Est. Play Time
119	Measures
	1,628Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet		19	0	7	9	87%
Winds, Bright Flute		33	0	7	13	85%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet		19	0	7	9	87%
Winds, Bright Flute		33	0	7	13	85%
Oboe		17	0	4	9	85%
Viola		22	0	3	11	83%
Violoncello		18	0	2	9	82%
Erhu, Fiddle		17	0	2	8	80%
Contrabass		18	0	2	9	79%
Piccolo Trumpet		29	0	16	8	60%
Horn in F		31	0	17	8	54%
B♭ Clarinet, Clarinet Bright		18	0	3	9	30%

counterpoint

louisb123

1:20	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	2	3	100%
		13	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	2	3	100%
		13	0	2	5	100%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
CB		21	0	6	6	100%
Vcl		21	0	6	6	100%
Viola		20	0	7	7	100%
Vn 1		23	0	9	8	100%
Vn 2		20	0	6	6	100%
Flute		27	0	10	10	99%
Bass		18	0	6	6	49%
Sop		16	0	5	6	49%
Alto		16	0	5	5	48%
Ten		12	0	2	5	42%
Tenor Trombone		12	0	2	6	42%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

The Emptiness In-Between

dmutters

5:24	Est. Play Time
119	Measures
	1,533Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	17	9	8	85%
		15	0	3	3	90%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	17	9	8	85%
		15	0	3	3	90%
		21	33	6	5	88%
Bass Guitar		22	30	6	6	60%
Electric Guitar		26	36	8	9	59%
12-string Guitar		28	33	3	7	55%
Tenor/Bass		12	0	2	6	41%
Soprano/Alto		10	0	2	6	38%
Lead Vocals		10	0	2	6	32%

Fugue en la mineur / Fugue in A minor

Léo Boivin

1:41	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	2	2	6	98%
		12	0	0	5	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	2	2	6	98%
		12	0	0	5	94%

Orchestration Practice no. 1

Drop Kenny

0:26	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1		8	0	1	4	90%
Flute 2		6	0	1	4	90%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1		8	0	1	4	90%
Flute 2		6	0	1	4	90%
Violin 1		9	0	1	3	90%
Violin 2		8	0	1	3	90%
Violoncello		11	0	2	3	90%
Viola		10	0	2	4	80%
Contrabass		13	0	2	5	70%
Harp		13	10	2	3	60%
		9	3	1	3	30%
Oboe 1		4	0	0	3	60%
Oboe 2		5	0	0	3	60%
Timpani		3	0	0	5	60%
Bassoon 1		6	0	1	3	40%
Bassoon 2		5	0	1	3	40%
B♭ Clarinet 1		4	0	0	2	30%
F Horn 1 amp;amp; 3		2	0	1	1	30%
F Horn 2 amp;amp; 4		3	0	0	1	30%
B♭ Clarinet 2		3	0	0	2	20%

Fantasy on We Three Kings, in F# Minor (W.I.P.)

SpaceGuru5

1:44	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	0	2	5	61%
		16	0	2	5	61%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	0	2	5	61%
		16	0	2	5	61%
		14	0	0	5	96%
		14	0	0	5	96%

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